Palme d'or - Festival de Cannes 2013

Blue Is the Warmest Colour

Two paintings by Adé Bernard run through the final scene of Abdellatif Kechiche's film. The story of an encounter between painting and cinema.

First painting by Adé Bernard seen in Blue Is the Warmest Colour: two female figures and a child on a blue shore

July 2012 - The shoot

Pictorial adviser on set

Adé Bernard joined the shoot of Abdellatif Kechiche's film as pictorial adviser to Léa Seydoux, teaching her in particular her charcoal techniques. In the closing dialogue, Adèle's character says she exhibits alongside her - blurring the line between fiction and reality.

The first painting

Two figures on a shore

Acrylic, oil, charcoal and collage, in tones of blue and red: two female figures kneeling on a blue band evoking a shoreline, framing a child. This work accompanies the conclusion of Emma and Adèle's story, during the gallery opening scene.

Second painting by Adé Bernard seen in Blue Is the Warmest Colour: blue head with a double pupil
Blue Is the Warmest Colour, Palme d'Or at the 2013 Cannes Film Festival

The second painting

A blue head, from the “Heads” series

A head in shades of blue, with a double pupil inspired by early icons. It echoes the film's graphic source - Julie Maroh's graphic novel - and its English title, “Blue Is the Warmest Colour”. In May 2013, the film won the Palme d'Or at the Cannes Film Festival.

Collection

See works from the same period